PDF Lee Morto (Italian Edition)

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American Italian: Dictionary April 14, - Responses. American Italian: Dictionary aduzipach! Blog at WordPress. Enter Basilio. Indeed, sir! There you are wrong; it follows not in logic that he who loves the wife is foe to the husband. And how his lordship loves you! Away, thou odious pander to the vice of another, for I despise you; preach your morals and logic to people like yourself.

Yes, Cherubino—cherubim of goodness—who was observed this morning slily lurking in the passage to this room. You know my friendship—I would never reveal it.

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Apropos of the Page, now; he is much too incautious. Often at table his looks betray his passion—understand, for the Countess. Nay, what injustice! I but say as others; nor do I add a syllable to what is talked on all sides. Entra Figaro. Partite tosto, Addio. Io vo parlarti pria che tu parti. Away, then. In his terror he hid then where you found him. Enter Figaro.

Well, well, you are forgiven. Away, and quickly.

“Every Death of a Pope”

I wish to give a word of advice, sir. Entra Susanna. O, il Signor Conte non fa tai complimenti colle donne mie pari; egli venne a contratto di danari. Come lo sono i moderni mariti. Per sistema infedeli, per genio capricciosi, e per orgoglio, poi tutti gelosi. Entra Figaro, cantante. A voi non tocca, stare in pena per questo! Alfin di che si tratta? Al Signor Conte piace la sposa mia. Non vi basta, che scherzando io ci pensi?

Ecco il progetto. Aspetta; al Conte farai subito dir, che verso sera attendati in giardino; il picciol Cherubino, per mio consiglio non ancor partito, da femmina vestito, faremo che in sua vece ivi sen vada. Quanto duolmi, Susanna, che questo giovinetto abbia del Conte le stravaganze udito! Eccola appunto, facciam che si la canti. Via presio la canzone, che stamane a me deste—a madama cantate. Enter Susanna. Your modern husbands all act in this fashion.

They are on system faithless, changeful from disposition, while from their pride, child, they are no less jealous.

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But, if Figaro loves thee, by his assistance—. Enter Figaro, singing. Contented; so be it. Trust me, there is no better way. Why, the Count is gone hunting, and until nightfall will scarce think of returning.

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Why, then— [ Singing. Ah, never give me that title so detested; it still reminds me that I must needs abandon my dear and kind protectress. Ah, you deluder! But now, sir, for the ballad which this morning you gave me—sing it, pray, to the Countess. Lasciatemi veder. Entri, che mal facciamo? Una mi cuffia prendi nel gabinetto—presto.

Now let me see. We are equal in stature.

Doff your mantle. Why, you can take a head-dress of mine from yonder closet [ To Cherubino, as Susanna goes to the cabinet. Behold it! Il mio sposo— [ Si alzano agitati. Son morta!

Dillinger Is Dead (Dillinger E Morto)

Non trovo altro consiglio. Ad ogni modo voi non siete tranquilla.

Susanna esce dalla sua camera [Editor: illegible word] una vesta, ed ascolta indietre. E vero; io sbaglio. Voi la condiscendenza di venir meco avrete—Madama, eccovi il braccio. Complete his transformation. Tuck up his sleeves, now, above his elbows, I play you, so that the dress may sit upon him with grace and lightness. A little higher.

My husband! This way alone is left me. Certain dresses. What noise is that in yonder room? Enter Susanna, with a dress over her arm, who listens at the back of the stage, and observes what is passing. I ask no longer; I can do without you. Pray be so condescending as to come with me a moment; my arm is quite at your service. Rientra il Conte chi porta in mano una leva. Oh, see the little devil, how he scampers! Let us not waste the time, though. Come my lord when he pleases, there will I await him.

Re-enter the Count, carrying a crowbar, accompanied by the Countess. Pray you forbear, sir, and attend for a moment, do you think I could ever to my duty be false? This is the meeting hinted at in the letter. Susanna esce dal gabinetto, con aria grave ed ironica. Viene Antonio mezzo ubbriaco, portando un vaso di viole, co' gambi schiacciati.

Parlate; [ Ad Antonio. Ah, che testa!

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Entrano Marcellina, Basilio, e Bartolo. Susanna enters from the Cabinet, with a look of ironica gravity. Antonio enters, intoxicated, carrying in his hand a flowerpot of violets, with their stems broken. Speak out, then. How forgetful! Enter Marcellina, Basilio, and Bartolo. Signor, la vostra sposa ha i soliti vapori e vi chiede il vasetto degli odori. Count and Susanna. E vero, e vero; mi prometti poi. In qual laccio cadea!